Aspects of a National Cinema – exam questions

Here are the exam questions from June 2010′s paper for Aspects of a National Cinema. These are the questions you need to answer using either Mexican or Iranian films.

1. From the Films you have studied for this topic, what do you identify as characteristics of the national cinema from which they come?

For this question you would have needed to demonstrated the following:

  • A detailed and sophisticated knoweldge and understanding of the films studied
  • A sound understanding of contexts within which the national cinema can be understood.
  • An ability to make some convincing connections between specific film characteristics and the national cinema
  • You may also take a sceptical view of the terms of the question: that a national cinema has distincitive characterisitics.

2. In what ways have your contextual studies contributed to your understanding and appreciation of the films you have studied for this topic?

For this question you will need to have demonstrated the following:

  • A detailed and sophisticated knoweldge and understanding of contextual factors – both institutional and cultural – within the national cinema studied.
  • A sound understanding of specific films with an ability to make detailed and close reference to telling and relevant detail in developing a response to the question
  • An ability to develop a convincing argument for the value of contextual studies in enhancing appreciation of both specific films and the national cinema
  • You may also develop an argument that non-national contextual factors, such as auteurism and international film styles , are of greater significance.

Aspects of World Cinema – Sample exam questions

For section A of the FM4 paper you are to answer 1 question from a choice of 2 that refer to Aspects of a National Cinema, this is for both Mexican Cinema and Iranian Cinema. You must refer to at least 2 films in your answer if you are hoping to gain respectable marks, you should also avoid trying to write about every film you may have studied for this topic.

Sample exam questions

1. To what extent do the films you have studied explore tensions within society as opposed to being simply stories about individuals?

2. Compare some of the stylistic features in the films you have studied discussing how far they make for a distinctive kind of cinema.


Mexican Cinema – Juan, I Forgot I Don’t Remember (Del Olvido Al No Me Acuerdo)

There is a screening of Juan, I Forgot I Don’t Remember (Del Olvido Al No Me Acuerdo) at the Picturehouse on Wednesday 10th March at 5pm.

The winner of multi-Ariels (the Mexican equivalent of the Academy Awards), Juan Carlos Rulfo’s visually astonishing and poetic (little wonder given that Juan Carlos Rulfo is the son of Juan Rulfo, Mexico’s foremost writer) DEL OLVIDO AL NO ME ACUERDO is one of the most remarkable films to emerge from contemporary Mexico.

The film examines the collective memories of the community of Jalisco.

The pretext is the search for Juan, with the film becoming both an attempt to piece together the puzzle of his life and a testimony to this life and his literature.

The director himself describes it as a tribute to the collective memory of Mexico; moreover it is also a fascinating look at heritage and ancestry.

It is an ideal opportunity to watch a different type of Mexican film to the ones you have seen in class and this would help to broaden your knowledge and understanding of contemporary Mexican cinema.


French New Wave films

Year 13 students were set the task of filming an everyday task in the style of the French New Wave.